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*Caveat on using the term “recycled gold”:

While I am very careful to source my precious metals only from SCS® certified suppliers (SCS® stands for Supply Chain Sustainability; they are the global leader in the field of sustainability standards and third-party certification). Most of my precious metals suppliers are also members of the Responsible Jewellery Council. However, I want to point out that ‘recycling gold' is not what is commonly understood by the term.

True recycling avoids things ending up in landfills. Gold, of course, wouldn’t.

Instead, gold is simply melted, refined and repurposed.

Although SCS® certified refineries must maintain auditable records of their suppliers, there are loopholes globally which make it very easy for gold from unregulated and/or illegal sources to enter their supply chain.

This makes even 'certified recycled' gold untraceable.

Further reading:
Is Recycled Gold Ethical?
Materials, Sustainability, & Fairmined Metals

Transmit Pearl & Coral Necklace || ME ME ME

$1,400.00

Genuine Freshwater Pearls, 6-7mm AAA quality, strung & individually knotted with repurposed coral and genuine rice-shaped FW pearls to spell in morse-code “Me, Me, Me”.

Please note: all 5 necklaces in this Series are worn by the model in these images. Go to image gallery to see them all next to each other.

I will not make these again – there were only 5, and only 4 of them are now left.

Full length of each necklace: 99″ or 2.5metres. When worn in a single loop, it reaches to below the knees.

 

As part of the exhibition “Automaton 20.21”, the necklaces in this Series, with their depth of investigation, are more of an “art piece” than some of my other work.

In 2020,  I was invited to participate in a Spanish-Canadian co-exhibition entitled Automaton. Initially planned for a glamorous Opening at the prestigious Joya tradeshow in Madrid, Spain, the event fell victim to pandemic restrictions and was held virtually, instead. Unfortunately, it was available to view for one week, only.
There is a short presentation about the piece ici .

The show featured only 10 invited artists – 5 Canadian and 5 Spanish. Each artist created a piece that represents the effects of new technologies on human behaviour, and its influences on fashion, the arts, the economy, consumption, and everyday life over the last 100 years. Automaton showcased these artist’s individual interpretations.

My interpretation relates to the plethora of data which surrounds us daily, the constant flow of communication.  There is information overload, expressed by pearl overload – 5 strands of 2.5m strands of freshwater pearls for a total length of 12.5 metres.

Each strand contains a hidden message, spelled out in morse code with coral and long pearl beads this one spells “Me Me Me”.
These messages refer to the hidden messages which lay beneath the almost automatic communications we send and receive daily, particularly via social media – beneath it is a longing for connection.

The piece relates to the 1920ies in its use of pearls. The feather of the fascinator acts as the antenna for the data to flow into the human body.
The pieces can be worn in many different ways, including almost garment-like, or like armour. This freedom of wearability brings the piece into the 21st century with it individualized aesthetic.

1 en inventaire

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UGS : 210000001940 Catégories: , , Étiquettes: , , , , , ,
Poids .370 kg
Dimensions 17 × 17 × 3.5 cm
Pierre

,

longueur

Birth Month

Couleur

,

Description

Genuine Freshwater Pearls, 6-7mm AAA quality, strung & individually knotted with repurposed coral and genuine rice-shaped FW pearls to spell in morse-code “Me, Me, Me”.

Please note: all 5 necklaces in this Series are worn by the model in these images. Go to image gallery to see them all next to each other.

I will not make these again – there were only 5, and only 4 of them are now left.

Full length of each necklace: 99″ or 2.5metres. When worn in a single loop, it reaches to below the knees.

 

As part of the exhibition “Automaton 20.21”, the necklaces in this Series, with their depth of investigation, are more of an “art piece” than some of my other work.

In 2020,  I was invited to participate in a Spanish-Canadian co-exhibition entitled Automaton. Initially planned for a glamorous Opening at the prestigious Joya tradeshow in Madrid, Spain, the event fell victim to pandemic restrictions and was held virtually, instead. Unfortunately, it was available to view for one week, only.
There is a short presentation about the piece ici .

The show featured only 10 invited artists – 5 Canadian and 5 Spanish. Each artist created a piece that represents the effects of new technologies on human behaviour, and its influences on fashion, the arts, the economy, consumption, and everyday life over the last 100 years. Automaton showcased these artist’s individual interpretations.

My interpretation relates to the plethora of data which surrounds us daily, the constant flow of communication.  There is information overload, expressed by pearl overload – 5 strands of 2.5m strands of freshwater pearls for a total length of 12.5 metres.

Each strand contains a hidden message, spelled out in morse code with coral and long pearl beads this one spells “Me Me Me”.
These messages refer to the hidden messages which lay beneath the almost automatic communications we send and receive daily, particularly via social media – beneath it is a longing for connection.

The piece relates to the 1920ies in its use of pearls. The feather of the fascinator acts as the antenna for the data to flow into the human body.
The pieces can be worn in many different ways, including almost garment-like, or like armour. This freedom of wearability brings the piece into the 21st century with it individualized aesthetic.

Handmade by Woman Artisan
Handmade by A Woman Artisan
Recycled Materials
Recycled Materials & Packaging
Sustainably Sourced Materials
Sustainably Sourced Metals
Ethically Sourced Gemstones
Ethically Sourced Gemstones
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