
All jewellery is handmade and shipped from Halifax, Nova Scotia, Canada, and therefore is exempt from tariffs for USA customers under CUSMA, the free-trade agreement. I always ship with a certificate of origin for customs.
All jewellery is handmade and shipped from Halifax, Nova Scotia, Canada, and therefore is exempt from tariffs for USA customers under CUSMA, the free-trade agreement. I always ship with a certificate of origin for customs.
*Caveat on using the term “recycled gold”:
While I am very careful to source my precious metals only from SCS® certified suppliers (SCS® stands for Supply Chain Sustainability; they are the global leader in the field of sustainability standards and third-party certification). Most of my precious metals suppliers are also members of the Responsible Jewellery Council. However, I want to point out that ‘recycling gold' is not what is commonly understood by the term.
True recycling avoids things ending up in landfills. Gold, of course, wouldn’t.
Instead, gold is simply melted, refined and repurposed.
Although SCS® certified refineries must maintain auditable records of their suppliers, there are loopholes globally which make it very easy for gold from unregulated and/or illegal sources to enter their supply chain.
This makes even 'certified recycled' gold untraceable.
Further reading:
Is Recycled Gold Ethical?
Materials, Sustainability, & Fairmined Metals
Any piece of jewellery begins as the concept of the artist, either on their own, or in consultation with a client – long before it is a wearable piece. From the first conversations and ideas sketches arise on paper or in the form of mock-ups. Since thorough design requires a great amount of training, deliberation, and time, many artisans will charge a fee at some point during the design phase.
Once the concept is finished and approved, any ‘cast’ jewellery creations generally start in wax and are later cast in precious metal.
The journey of the piece varies according to the complexity and type of design in question, and with the expertise and resources of the maker. Traditionally, and still often today, the artisan will carve the piece in wax with a variety of hand tools. Jewellery has been made in this way for millennia (since 4000 BC). The ancient Japanese art of Mitsuro Mikime combines beeswax and pine resin to create a substance which can be pulled like taffy. My Flow Series is created in this way.
Another method of working with wax is to liquefy the wax, and almost ‘paint’ with the wax.
Alternatively, imprints can be made, such as that of a leaf, and the texture will be replicated exactly in the finished piece (photo of mapleWrap wax).
A more modern method, appropriate for pieces with more graphic content or lettering, is 3D modelling and printing. This sounds very much easier than it actually is – great computer skills are required in order to create a piece in 3D software. The 3D design file created is then milled on a CNC machine, or ‘printed’ by means of a 3D printer.
If there are to be a number of identical pieces, a master may be created, of which a mold would be made. This mold is then wax-injected to create multiple identical wax pieces for casting.
With any of these methods, a wax piece will then always have to go through the following steps:
If a piece is to be a unique, one-of-a-kind piece which exists only once, this is called the ‘lost wax technique’, meaning that this handcrafted wax is lost in the process of melting out of the cylinder in the process of casting.
Sometimes, a mold is made, so that the piece can be replicated.
The finished cast still requires much clean up by hand – filing, sanding, and polishing. A precious gem setting may be added at this point, after which the piece will be polished again, followed by meticulous cleaning.
Your goldsmith (hopefully me!) will know whether casting is the right method for the custom project you have in mind. In another article, I will tell you about ‘fabrication’, a completely different way of making jewellery.